![]() But since the chord is 7 notes, it’s a complete-scale - you can think of any 7-note scale as a 13th chord. I’ve never come across a 13 chord voiced as a stack of thirds in music.But since a complete 13 chord contains 7 notes, using all of them is a bit unwieldy, and the “traditional” voicing of 1 3 5 b7 9 11 13 is extremely rigid. Now, of course, you don’t need to use 13 chords this way or voice them like this.In the G F B Eb voicing, you get a diminished fourth between the B and Eb, an unusual interval, and since diminished intervals want to resolve down and the leading tone (the B) wants to resolve up, you get a strong tension. In the G F B E voicing, you get the crunchy major 7th between the F and the E, and everything feels really major. The 6 (or 13) can resolve to the 9 of the tonic chord that follows, but it doesn’t have to (obviously).īoth of these voicings have some interesting bits that make them very nice-sounding chords. You can think of both of these as 6-5 suspensions in the chord, and both usually resolve down to the 5. So G7b13 is often voiced G F B Eb, and it’s the same kind of thing, a V7 with a b3 in the melody. In minor, the chord used is the 7b13, which is the same but with a b13 instead of a 13. This is the chord you would use when you have a V7 but a 3 in the melody. For example, if you’re in C major, G13 will often be voiced G F B E, and the idea is that the 13th is an alteration to the dominant 7th for color or for melody or something like that. Generally, a 13 chords piano is really a dominant 7th chord with a 13 added. It would also help if you could provide songs that utilize these chords. Specifically 13, flat 13, and flat 13 flat 9.
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